Midwest Craft Con 2016!

I just returned home from the Midwest Craft Con, which happened in Columbus this past weekend. It was great! It was a weekend packed with heavy hitters in the craft/art/maker business world including Abby Glassenberg, Tara Swiger, Mei Pak, Lisa Congdon and Jennifer Ackerman-Haywood (among others) with all of them offering up advice, guidance and support to do what I'm trying to do (grow my enamel jewelry hobby/business). It attracted about 150 other people (mostly women but there were some brave men too) who are also trying to make a go of it. It was full of positive energy and "can-do" attitudes -- which is always a good thing of which to partake! :)

Saturday morning's opening panel talking about The Future of Handmade.

 I have to admit, I didn't socialize too much. I know that sounds funny but it's what I needed to do. This was my first "Con" and being who I am, I needed to get the "lay of the land." So I basically kept to myself and observed. I drove down by myself, got a hotel room by myself and ate my meals by myself. Buuuut, I sucked it all in as much as I could possibly do! That's the thing with the quiet ones -- you never quite know what's going on and how crazy-busy it is inside their heads!

Tara Swiger from the Explore Your Enthusiasm podcast. 

So I took notes and watched and listened and registered things so I could learn and use it later (or sooner) -- and I'm ready to go. Ready to work on Blooming Enamels. I want to learn more about enameling and jewelry and business and putting it all together to do this thing I have called Blooming Enamels Jewelry. I feel so fortunate to have found torch-fired enameling as an outlet for my creative energy. If you would like to to know more about what I am up to I'm getting active on my Instagram account so you can go check things out over there. 

Gold versus Gray

I have loved this painting ever since I first saw it on a school field trip to the Cleveland Art Museum many years ago. I love the ominous drama of the dark clouds combined with the sturdy and stable sustenance of the wheat fields.

I only discovered, last year when I was at the art museum once more and I took the time to read the caption, that the painting (called "Gray and Gold" by John Rogers Cox who was an American painter) was painted at the beginning of World War II and could be interpreted to represent the crossroads the U.S. faced when considering entering into the war.

I can often feel this sense of looming danger. That's when my fears are stepping forward during times of change and unknown futures.

But I can choose to focus on the impending storm clouds or I can choose to feel comfort from the plentiful wheat. Focussing on the wheat won't make the clouds go away, I know, but it's a more stable grounding for me than the ever-changing sky. When the clouds have passed, the wheat fields, in some variation and most likely not without trauma, will still be there. Or, at the very least, the land for more wheat fields to be planted will still be there.

I have recently done some traveling to England and was taken in by a similar scene. I do *not* attempt to replace or recreate the original painting but it feels good for me that I have made my own photographic version of a painting that has quietly captured my spirit for many years:

The Glow of the Future

So I see this little twig sticking out of the snow, as me, at the halfway point (approximately!) of my life.

I have a choice at this juncture to see my twig self as facing to the left with the long shadow caused by the glowing sun as my past that is following me, never to be released....

....Or, I can see myself as facing to the right with the shadow that is caused by the glowing sun as my future that is long and looming ahead of me full of possibilities and journeys I've only begun to dream of envisioning.

Turning 40 is, for me, about making choices for myself and being more the mistress of my destiny than the victim of my past.

I know which way I choose to see my twig facing...